Showing posts with label Maurizio Benini. Show all posts
Showing posts with label Maurizio Benini. Show all posts

Wednesday, March 14, 2012

Erwin Schrott will be Dulcamara in the last shows of L'elisir d'amore at the Met

The Met has announced that Erwin Schrott will sing the role of Dulcamara in the last four performances of Donizetti's L'elisir d'amore, featuring Anna Netrebko as Adina, Matthew Polenzani as Nemorino and Mariusz Kwicien as Belcore.
L’Elisir d’Amore, Met, New York City, 30. Jan 2013 – Anna Netrebko (Adina), Matthew Polenzani (Nemorino), Mariusz Kwiecien (Belcore), Erwin Schrott (Dulcamara), NN (Giannetta); Bartlett Sher (Director), Chorus and Orchestra of the Metropolitan Opera, Maurizio Benini  
L’Elisir d’Amore, Met, New York City, 2. Feb 2013 – Anna Netrebko (Adina), Matthew Polenzani (Nemorino), Mariusz Kwiecien (Belcore), Erwin Schrott (Dulcamara), NN (Giannetta); Bartlett Sher (Director), Chorus and Orchestra of the Metropolitan Opera, Maurizio Benini  
L’Elisir d’Amore, Met, New York City, 6. Feb 2013 – Anna Netrebko (Adina), Matthew Polenzani (Nemorino), Mariusz Kwiecien (Belcore), Erwin Schrott (Dulcamara), NN (Giannetta); Bartlett Sher (Director), Chorus and Orchestra of the Metropolitan Opera, Maurizio Benini  
L’Elisir d’Amore, Met, New York City, 9. Feb 2013 – Anna Netrebko (Adina), Matthew Polenzani (Nemorino), Mariusz Kwiecien (Belcore), Erwin Schrott (Dulcamara), NN (Giannetta); Bartlett Sher (Director), Chorus and Orchestra of the Metropolitan Opera, Maurizio Benini

Sunday, January 27, 2008

La Traviata, ROH 26. January 2008 - Anna Netrebko, Jonas Kaufmann, Dmitri Hvorostovsky

Only a few opera houses in the world can afford a cast such as the one I have been enjoying last Saturday at the Royal Opera House, Covent Garden in London. Anna Netrebko as Violetta Valéry, Jonas Kaufmann as Alfredo Germont and Dmitri Hvorostovsky as Giorgio Germont. The fabulous chorus and orchestra of the Royal Opera House were conducted by Maurizio Benini. On the stage a revival of the beautiful production created by Richard Eyre.

After Anna's huge success on the first performance on 14. January, she was obliged to cancel the three next performances on 17, 20 and 23th January, due to a bronchitis. I had a ticket for the performance on 26. January and I went to London on Friday 25th January, without to know if she would be recovered or not. Friday night I went with a friend to the ROH to look for some, hopefully not bad, news about Anna. There was no cancellation announcement and people at the ROH told us that Anna will sing on Saturday. Thanks God!!!

On Saturday, around 2 hours before the start of the performance, we went to the stage door to look for Anna's arrival. Yes!!! Anna arrived 1 hour and half before the performance starts. So, this was the definitive confirmation!!! Anna was there!!!

The performance began and Anna was better than ever. Her powerful diamond-like voice came across the whole orchestral mass density, filling everything. While at other moments, she did wonderful pianissimi. I was completely moved. At the end of the first act, people began to clap and to scream "Brava!", "Bravissima!". At the curtain calls, a long standing ovation and more and more "Brava!", "Bravissima!". It was the best opera performance I have ever seen. Anna was a true goddess.

Jonas Kaufmann was also very good, brilliant at some points, and I liked very much Dmitri Hvorostovsky. It was the first time I saw him live and I really got a very good impression. We have to keep in mind the concerts that Anna and Dmitri will have the next season. Great orchestra and conductor.

Remember that this performance will be broadcast on BBC 3 radio on 9. February and that there is a last opportunity to see this Traviata cast live at the ROH on 29. January.

We were to the stage door after the performance. After a while, they told us that the cast had a dinner at the ROH and they would not come to sign in. But, apparently, Dmitri changed his mind and he came out to the door leaving the ROH. He signed me the program. After a while we went to dinner at the Bertorelli, just in front of the stage's door. At 11:30 PM I saw Anna and her IMG general manager leaving the ROH, with a flower's bouquet each one. She was looking great. Thanks Anna!!!

Press Reviews
"the first thing that I was struck by was the sheer size of the voice: this is a huge and luscious instrument", "She could shade it for expressive subtlety and fine it down for a heart-stopping pianissimo, as she did for the start of the second verse (sic) of Addio del passato”
La Traviata with La Netrebko, Alnwickian, 28. January 2008

Photos
Anna Netrebko and Dmitri Hvorostovsky at the final curtain call. La Traviata, ROH, London 26. January 2008. Photo: Olga

Anna Netrebko at the final curtain call. La Traviata, ROH, London 26. January 2008. Photo: Olga

Anna Netrebko at the final curtain call. La Traviata, ROH, London 26. January 2008. Photo: Olga

Anna Netrebko, Jonas Kaufmann, Dmitri Hvorostovsky and Maurizio Benini at the final curtain call. La Traviata, ROH, London 26. January 2008. Photo: Olga

Anna Netrebko, Jonas Kaufmann, Dmitri Hvorostovsky and Maurizio Benini at the final curtain call. La Traviata, ROH, London 26. January 2008. Photo: Olga

Anna Netrebko, Dmitri Hvorostovsky and Maurizio Benini at the final curtain call. La Traviata, ROH, London 26. January 2008. Photo: Olga

Thursday, January 17, 2008

La Traviata, ROH 14. January 2008 - Anna Netrebko, Jonas Kaufmann, Dmitri Hvorostovsky

Anna Netrebko made her very much awaited debut as Violetta at the Royal Opera House Covent Garden on 14. January 2008, with Jonas Kaufmann as Alfredo and Dmitri Hvorostovsky as Giorgio Germont. The performance was conducted by Maurizio Benini.

Press Reviews
"Anna Netrebko, now acclaimed as the global - or, why be cautious, intergalactic - operatic superstar of the 21st century, gave an electrifying performance as the consumptive heroine Violetta", "Netrebko moves us to a new sublime level of emotional involvement. Tears even before the end of Act I? The auditorium was awash"
Be seduced by a superstar, Fiona Maddocks, Evening Standard, 15. January 2008

"Shaken, stirred, and still quivering at the knees, I’m an altered man", "I expected effortlessly commanding top notes and peachy tone, but not the wonderfully subtle variations in colour and phrasing. And the way she turns her final aria from deathbed murmur to fierce, fatalistic cry of pride and defiance is mesmerising"
La Traviata, Richard Morrison, The Times, 15. January 2008

"The five stars belong to Anna Netrebko", "Netrebko is, in a word, sensational"
La Traviata, Royal Opera House, London, Edward Seckerson, The Independent, 16. January 2008

"the singer's realistic portrayal of Violetta's consumption from the first act to the last is surely unrivalled amongst the divas of recent years", "this was still a memorable revival, thanks to Netrebko's unmissable and stunning Violetta"
Anna Netrebko sings Violetta in La Traviata at Covent Garden, Dominic McHugh, MusicalCriticism.com

"Yet she also could stoke her dramatic fire when she wanted, and her fiery cry of ``morir si giovine'' (``to die so young'') in her death scene was heartbreaking", "Fight -- you'll have to -- to get tickets, which have now officially sold out for this cast"
Sell the Ferrari for tickets to "Traviata", Warwick Thompson, Bloomberg.com, 16. January 2008

"Here is a true singing actress, blessed with a gloriously rich, luxurious soprano, and also with completely convincing dramatic powers", "Her Violetta approached death in the most convincing and captivating manner, spluttering, flailing and collapsing, every move truthful and fully integrated into the committed characterisation"
Anna Netrebko starts in Verdi's La Traviata, Dave Paxton, MusicOMH.com

"Once in a generation a prima donna takes ownership of a role in a way none of her peers can do. Anna Netrebko has achieved this as Violetta", "She simply is the Violetta for our age"
The Violetta for our time, Andrew Clark, Financial Times, 15. January 2008

"Truly great performances of Verdi's La Traviata come along once in a generation, and this astonishing revival of Richard Eyre's 1994 Royal Opera production may well go down in history as one of the defining operatic experiences of our times", "Netrebko's voice often blazes with warmth and opulence, though she also deploys throttled pianissimos to convey both the ravages of disease and the agonies of uncertainty"
La Traviata, Tim Ashley, The Guardian, 16. January 2008

La Traviata: Ecstasy greets a rising star, Rupert Christiansen, Telegraph.co.uk, 16. January 2008

"Fue tal la grandeza, la perfección, la intensidad de la energía aquella noche, que cuando terminó el primer acto pasaron varios minutos antes de que pudiera articular palabra", "En el instante en que comenzó a cantar me dí cuenta de que aquello no tenía nada que ver con todo lo que había escuchado hasta ahora"
Una diosa junto al Támesis, El rincón de Papagena, La Verbena, 19. January 2008

"On Monday, her predestined chance came when she sang in the Royal Opera's revival of La traviata, and no one who was there will ever forget it", "At that moment she was simply the most excitingly reckless, scorchingly charismatic opera singer in the world, and she had just given the finest performance anyone could remember in one of the most demanding roles in the repertory",
A Violeta to die for, Peter Conrad, The Observer, 20. January 2008

"it's worth fighting for a ticket for this Covent Garden revival just to see Anna Netrebko"
La Traviata, Royal Opera House, London, Anna Picard, The Independent, 20. January 2008

La Traviata, Hugh Canning, The Sunday Times, 20. January 2008

Photos, ArenaPal
Photos, The Opera Critic

LinkWithin

Related Posts Plugin for WordPress, Blogger...